by Yhtapmys » Sun Jun 07, 2009 12:04 am
Here's another example from the radio column of the L.A. Times, July 25, 1936:
Sam Hearn is seriously considering dropping his trademark, “Schlepperman,” because of the growing tendency for the nom de plume to become accepted as his real name. The comedian’s billing in his first picture "Florida Special," was "Schlepperman" and now his cast name in "The Big Broadcast of 1937" is "Schleppy.”
Even in his obit in 1964, the headlines say that Schlepperman is dead, so poor Sam got stuck with it.
I'm in the radio business where some people have stage names for a variety of reasons. Some had worked in rock radio ages ago and were told they couldn't have "ethnic" names. One had the same last name as an infamous killer and didn't want people to think they were related. One took a new name because more than one co-worker couldn't pronounce his real one on the air.
At least three people I worked with changed their names to avoid confusion with other radio people. I would have likely had to change my name if I had worked on the air in the old days because my last name is the same as a certain cheap, 39-year-old violinist (though I spell mine correctly). My uncle, unfortunately, had the first name of Jack. He preferred to be called John by just about every one but family because of the inevitable and constant (and I imagine annoying) comparisons.
Yhtapmys