Hoo hoo HOO, Shimp, I've been waiting for someone to ask!
The show went tremendously well, despite the fact that I was running around like an idiot trying to make sure everything came together. There was an accident that tied up traffic coming north from Atlanta, so we held the curtain for eight minutes. There were a couple of light miscues, but nothing serious.
And the audience sat and roared and applauded for the whole show. Afterward, Eddie greeted fans for forty-five minutes in the lobby. Our theater garnered tons of goodwill, and I heard nothing--absolutely nothing--but praise for Eddie's talents, for the show, even for the set! Charles Dilman, whose Oz Design Studios actually created the prop microphone for Eddie, was able to make it and for the first time saw the mic "in action." My son, daughter-in-law, and daughter saw the show--and my daughter asked me to burn her some Benny shows to CD. I did an assortment from 1947 to 1950, some of my personal favorites, including "Drear Pooson" and "Oh, shut up!" as well as a couple of prime Mel Blanc episodes. By the way, when Eddie mentioned Mel Blanc in the act, there was a gratifying murmur of recognition and fondness.
The recreation of the radio broadcast was phenomenal, despite one light miscue (the lighting board operator got nervous during a HUGE laugh and hit the dimmer too early, but the lights came right back up). I think it's safe to say that, for that one night, everyone in our neck of the woods was a Jack Benny fan all over again.
And I just can't say enough about how kind, thoughtful, gracious, and easy to please the Carrolls were through it all.
