How to Write the Jack Benny Show

[Yhtapmys]

Jack's writers won an Emmy in 1960. Here are two articles about writing the show from that year. The first is a syndicated piece from January 8.

Even Jack Benny's Writers Have Own Swimming Pools
By Charles Witbeck
“The happy rut” is what four well-paid writers call working for Jack Benny.
Working for Benny is a career, a lifetime job, or so it would seem by Hollywood writing standards.
Two writers, Sam Perrin and George Balzer, have been making up lines on Jack’s stinginess for .17 years. Hal Goldman and Al Gordon are the youngsters who say they’re “carrying the old men” with 11 years of service.
Perrin, Balzer, Gordon and Goldman have been with Benny so long they think like him.
They should by now. Further more, they know each other so well, one writer often will say word for word what another is thinking of. Generally all four are talking at once, and there a re continual interruptions.
In a Beverly Hills office that Goldman describes as turning a dark shade of red, the four sit and dream up Benny half-hour shows and his hour specials. This is done by dictating to a secretary.
“She’s the real writer,” says Sam Perrin.
“She picks out what she likes best,” said Hal Goldman.
How can she tell what to use when all are talking at once?
“Whatever comes in clearest,” answered Balzer. “She can tell by the tone of something thrown whether it should be ignored or not, and by our attitude.”
Always Interrupting
“If after three words a guy isn’t interrupted, it’s OK,” was Perrin’s definition.
Since the men are so used to interrupting, they feel ill at ease when there is silence and often three will let one writer go on and on until he pleads for help.
It takes from seven to nine days for the four to do a half-hour TV show and they put in a regular eight-hour, five - day schedule. There are days when nothing much happens and the men are stuck with a problem of coming up with the right material, say, for a guest.
These days of famine, seen in another light, are called “the will to play golf” by elder statesman Perrin, who in his 17 years with Benny has never been out a day.
No Panic
Failure to solve a problem doesn't bring panic. The men feel if “you don't do it today, you'll get it tomorrow.” They go home to their wives and swimming pools (one, Al Gordon, doesn’t own a pool, the others claim he sells pool water to them) and don’t fret. “But I think at home, not at the office,” says Gordon.
“For instance, we had Jack Paar as a guest not long ago,” Balzer said. “We were into eleven pages of a sketch with Paar and it wasn't right for him. So we took it out and found it would fit George Burns perfectly. We never throw anything away.”
Benny Judges
Nowadays the four men do most of the writing and then Benny comes in to listen and judge. In the beginning during the early radio days Jack, sat in with the men; then he came in for certain spots.
Now he trusts them. Jack knows what he wants and all four respect his good ear. They also need him in any arguments over material. Any side that Jack goes to wins.

[Yhtapmys]

Here's a second article, dated Sunday, Dec. 11, 1960. It has no byline.
The pictures for the two are crappy but I've inserted the one attached to this story. I hope I've caught all the scanning errors.

Jack Benny, Writers Have Chuckles While Rehearsing Television Show
On Monday mornings at 10 o’clock in Beverly Hills, Jack Benny, announcer Don Wilson, four writers, singers and guest actors hold a reading for taping the following Sunday Benny show.
The reading takes all of 35 minutes interspersed with the loudest laughs from portly Don Wilson, followed by Benny’s chuckles and then the writers’.
Benny is known to be a great audience and lives up to it during a reading.
The weekly session is mere routine to the whole group which has been with Benny so long. In a sense they’re all company men. Don Wilson is on his 27th year with Jack; Rochester has been around since 1937, and writers Sam Perrin and George Balzer began 18, years ago. The other two writers, Hal Goldman and Al Gordon, are the newcomers, with only 11 years to their credit.
A few minutes after 10 o’clock recently, after the men had settled down, Jack began reading his opening monologue. He added pauses and it sounded as if he were on stage or doing a radio show. At the end he said, “It isn’t long enough.” Writer Sam Perrin nodded, and said they’d fix that up and Benny continued. Dennis Day began reading about how he thought this was the opening show for the season. Jack explained that he had already done the opening. Then Dennis read: “Well, I’ve got to hand it to you, you've sure got a lot of guts,” referring to the fact that Benny had the gall to do an opening without Dennis.
Benny almost fell out of his chair laughing at this line. The others joined in, but Benny’s guffaw was the biggest. The reading went on with the writers and Don Wilson laughing here and there.
When they came to a commercial involving a bagpiper dressed in kilts, Benny questioned a line about the raising of kilts. Jack wondered whether it was in good taste and the writers offered substitutes. It wasn’t decided what would be done.
“We’ll fool around with this later,” said Sam Perrin. Jack nodded and then decided to kid Perrin. “Let’s fool around with it now. It’s my show.” There was more laughter and the reading continued.
At 10:35 o’clock Jack read the last line on page 33 and then got up and walked around. “This is a very good show roughly," he said. “It’s too long but all our shows are too long at the reading.” While others were talking and he was thinking, Jack pulled a few dollar bills from his pocket. He counted them, put them back in his pocket, said a few words and went into into his office.
Sitting behind his desk in an office covered with plaques, Jack talked about guests like Arthur Godfrey, Joey Bishop, the James Stewarts and Dan Duryea.
“We’re also going to do a show about Fatso (Don Wilson) since he’s been with me for 27 years and I think it’s very funny.”
Jack was going to have his wife Mary Livingston on the opening program, but Mary was very nervous about it, and finally Jack told her she didn’t have to do it. It was a huge relief to Mary who never does a live show, or a taped one for that matter, so it is doubtful if fans will see Mary at all this season.
Switching over from a twice-a-month show to a weekly series isn’t bothering Benny a bit. “We have 11 shows in the can already,” he said, “and we’re not panicky.” Jack will even do three concerts in Cincinnati, Indianapolis and Cleveland. While talking about the concerts, Jack suddenly got an idea and rushed out of the room. He wanted to make sure plugs for the concerts would be put in the shows the week before.
Idea First
“I’m glad I thought of that,” he said, re-entering the room. He sat down and leaned back. “Care for a cigar?”
I shook my head and Jack continued. “You know my writers prefer doing a weekly show. It keeps their hand in. The reason isn’t financial. They’re paid the same amount regardless.
“Also this year we’re not doing any specials. Those took a lot of time.”
Asked if the Marquis Chimps would be back, Benny smiled. “Maybe, if we can get the right approach. You know the good thing about that show, the one with the chimps, was that the rest of the show was good. If only the monkey had been good we would have had a lousy show.
“Our problem as always is to find the right thing for the guest. If we can’t, we don’t do it. With those writers the idea comes first and then the guests.”
The company men are working harder this year, but they don’t show it. Benny says he isn’t running any faster this season than last.
“I still get out to play golf,” he says. “If I can keep those guys off my neck.”

WRITERS WITH JACK.JPG (140.11 KiB) Viewed 5196 times

Yhtapmys